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When I entered the room, there were a dozen or so cats with horns and a rhythm section, Wynton Kelly, piano, George Joiner, aka, Jamil Nassar, bass and Dick Fisher drummer, all members of the Special Service Unit attached to the 3rd Army band.The trombone was an essential component of the brass parade bands that were a staple of black social and cultural life in many southern cities around the turn of the twentieth century.Over the past fifty years, as smaller ensembles have come to dominate jazz, the trombone, all too often, has been looked upon as an afterthought.Many contemporary 'bone players have lamented its status as a "second class citizen" Nevertheless, the hard work and dedication of its current practitioners ensure that the trombone will continue to make a vital contribution to the evolution of jazz.Starting in the mid 1920s, the rise of big bands led to the creation of trombone sections of two, three, and ultimately four (even five) players, and coincided with the emergence of the first major jazz trombone soloists.In 1927 Texan Jack Teagarden arrived in New York and raised trombone playing to new heights of technical virtuosity and soulful expression. Then rest assured that the Jazz Watchdogs will have you on their files, and their spies are everywhere.Europeans may convert to their own currency if they wish, but I accept dollars as well.

The trumpeter Ack van Rooyen has sent me a copy of the print-out he received from an instrument maintenance and repair company. According to the concert pitch diagram the low F#, middle Bb and F are nearly right; the low B is the worst with the only note in tune being middle C. A note from Ack with the chart said, I told you it wasnt me. The misdemeanours are many and varied, and there is no doubt in my mind whatsoever that each one of you has committed one, if not all, of them at some time or other.Through the next decade and a half of the so-called Swing Era, the trombone remained a key player in jazz. Johnson proved that the innovations of Diz and Bird could be applied to the horn, setting new technical and artistic standards for subsequent generations of jazz trombonists.In the early 1940s the intricate lines and fast tempos favored by the beboppers posed new challenges for the apparently cumbersome instrument. Still, the demise of the big bands proved to be a setback for the instrument.This recording has never been released under Willie Wilson's name, even though this was Willie's session.His death shortly after this recording, and other factors delayed the release of this recording for several years.




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